The violin playing of Norman MacCaig, Dolmetsch & Geminiani

The violin playing of Norman MacCaig, Dolmetsch & Geminiani
I’m just back to sunny Glasgow from my musical adventures over the past few weeks, which have taken me to St Mary in the Castle, Hastings for the Sotto Voce Arts Festival before a residency in the stunning Castello di Potentino in Tuscany. Beautiful weather and surroundings aside, these have been interesting experiments into different ways of performing and interacting with…
Having just been awarded funding from the SGSAH to set up a PhD training workshop on research blogging in the arts and humanities, I think it’s about time I started posting in this blog! Expect to see more regular posting over the next few months. Over the last month, I’ve been playing in Concerto Caledonia’s new project Nathaniel Gow’s Scottish Dance…
New evidence on the 18th-century Scottish composer One of the most enigmatic figures in 18th-century Scottish music is Alexander Munro, composer of the the Recueil Des Meilleurs Airs Ecossois published in Paris in 1732, and described by Hawkins as a ‘native of Scotland’. This volume was not only some of the first Scottish music written for flute, but was very influential…